At first glance, it is contained — a square of swirling ochre, crimson, teal, and ivory, hemmed in by clean edges. But look closer, and the colors begin to move. They spill and twist like molten rivers, pressing against the edges until they slip beyond, refusing to be confined.
The outer world is stark in contrast — black and white currents that echo the movement within but strip it of warmth, like shadows remembering their source. The tension between the two is deliberate: the wildness of color against the discipline of frame, the chaos of nature meeting the geometry of human order.
“Flow Within the Frame” is a study in boundaries — how they shape, distort, and sometimes fail to contain the energy they hold. It is a visual reminder that what is vibrant will always seek a way out, and that true movement cannot be caged.
