From the textured stillness of earth-toned paper, a black void stands like an unbroken wall. Yet from within, a shape begins to form — the proud head of a horse, traced in restless lines that tangle like thoughts mid-flight. Its mane spills beyond the edges, part shadow, part smoke, refusing to be fully contained.
The image shifts as you look at it — at once skeletal and alive, drawn and dissolving. Light glances off its eye, a quiet spark against the surrounding silence, hinting at untamed strength restrained only by the confines of the frame.
“Shadow in Motion” is a study in thresholds: between seen and unseen, freedom and capture, form and abstraction. It holds the stillness of a portrait and the restless energy of something about to break through.
